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  Series Title: True Music - ringTrue

Song Title Composer(s) Arranger(s) Octaves
  40 Days in the Desert Peters, William 3-5
Review: Haunting and heroic at the same time, “40 Days in the Desert” captures struggle and victory within the same breath. Written in single pulse 3/4 time, the strong melodic lines are supported by even stronger chords in c minor, with shifts in harmonics to G Major that brighten the mood briefly: Perfect for Lent, Passion Week, or any meditative moment in worship. When using the subtitle “The Ghost of Success” for secular concert and festival, the audience might be reminded of an Anime theme, which is not surprising since the composer, William Peters, was in 7th grade when he wrote this piece. He asked his handbell teacher (Kath Wissinger) to look at it and see if it would work for bells. With some very minor editing, William’s score showcases a new creative talent in handbells and beyond.
  All Aboard Various Wissinger, Kathleen 2-5
Review: Full steam ahead! Get on board with this clever arrangement of railroad themes and spirituals. Three unique but compatible scores make this piece accessible and extremely versatile.
  All Time and Space (Rhapsody in A Minor) Wissinger, Kathleen 3-7
Review: Stunning and ethereal, this original masterwork explores the vastness of the universe in 3 distinct sections, informally titled “Let There Be Light,” “Space Cowboys” and “The Great Expanse.” A welcome addition for advanced Bronze level repertoire as each section offers a different challenge in technique, chromatic work and interpretive skills.
  Amazing Grace Traditional Wissinger, Kathleen 2-5
Review: Three variations of Amazing Grace weave a lovely tapestry of this beloved tune: Part 1 showcases the single-line melody with a very simple accompaniment; Part 2 enlivens the tune with an obbligato part in the treble - and the melody and stronger rhythmic statement in the lower bells; Part 3 is bolder yet, with richer chording and some harmonic interest. It’s perfect for any part of a worship service. Notes on setting up a Bell Tree and ways to practice Bell Trees at home are included.
  Angel Gabriel Basque Carol Wissinger, Kathleen 2-5
Review: "The Angel Gabriel"--a traditional Basque Carol examining Mary’s wonder at bearing the Christ Child - is exquisitely arranged (Level 2) for 2 (A1), 4 (A2) and 3 or 5 (B) octaves. The “A” Scores are compatible. Appropriate for Advent or Christmas - worship, concert and festival - “The Angel Gabriel” adds a wonderful medieval note to the joyous season.
  Best Gift I and II Wissinger, Kathleen 3, 5 or 6
Review:

Hear the drone of the bagpipes! This original Celtic jig will delight your ringers and audience from the first note of the lilting original melody and the unusual turns it takes. Bass ringers play the open fifth intervals to support the melody.
  Call of the Water Wissinger, Kathleen 3-7
Review: This compelling piece evokes dawn at the shoreline and the promise of a day on the water – gentle pastel ripples at first, then fresh air and invigorating spray, and finally soft sunset on the water at the end. Subtitled “Living Water,” “Call of the Water” is ideal for worship – baptism, commissioning, dedication, meditation, offertory – as well as for concerts and Festivals.
  Celebration and Dance 1 Wissinger, Kathleen 2-6
Review: "Celebration & Dance" captures the spirit of a jovial festival following a perilous journey. Two stand-alone compatible scores feature an enticing melody supported with strong rhythmic chordal patterns: "Celebration & Dance I" (for 2-5/6 octaves, RE80231) is Level 2; and "Celebration & Dance II" (for 3-5/6 octaves, RE80232) adds additional Level 3 elements such as 16th notes in the melody line & accompaniment and more complex voicing throughout. Either is great for any uplifting moment in worship or concert.
  Celebration and Dance 2 Wissinger, Kathleen 3-6
Review: "Celebration & Dance" captures the spirit of a jovial festival following a perilous journey. Two stand-alone compatible scores feature an enticing melody supported with strong rhythmic chordal patterns: "Celebration & Dance I" (for 2-5/6 octaves, RE80231) is Level 2; and "Celebration & Dance II" (for 3-5/6 octaves, RE80232) adds additional Level 3 elements such as 16th notes in the melody line & accompaniment and more complex voicing throughout. Either is great for any uplifting moment in worship or concert.
  Cool Cats 2 Wissinger, Kathleen 2-5
Review: "Cool Cats 2 AB", with a cheery and somewhat cheeky melody, mallets, marts, light swing, and optional tambourine, will infuse a little jazz into your worship, concert or festival. Originally written as a trio/quartet/ensemble, this companion folio expands the score for full ringing ensembles - offering 2 non-compatible scores: "A" for 2 octaves (G4-G6, opt. A6) and "B" for 3-5 octaves. Melody is contained in the upper register, with mallets, marts, and full ringing featured in the supporting accompaniment. For a light moment in worship, use the subtitle "Praise Ye the Lord" which fits the rhythm of the melody perfectly.
  Fantasy on Carol of the Bells Leontovych, Mykala Wissinger, Kathleen 3 or 5
Review: A fresh take on a favorite iconic piece – perfectly suited for bells, of course!! The well-known themes are playfully inverted, altered and passed around from ringer to ringer, making them even more intriguing and including all ringers in the fun! Level 2+ for full ensemble on 3 or 5 octaves, it always drives forward “Con Brio!”
  Fear No Evil Wissinger, Kathleen (RCS 7th and 8th Grade) 3, 5, 6 or 7
Review: The tale of an epic journey, bold and heroic, this well-crafted, solid Level 3 piece for 3-7 octaves features many interwoven themes and tabled mallets as the saga unfolds. “Fear No Evil” is a strong musical statement for worship, concert, classroom or festival – and can also serve as a heart-felt tribute, serious but ever-hopeful, for the valiant Ukrainians and honoring all people living under duress. While this piece stands on its own as a strong performance piece, it is also the capstone composition project of a creative 8th grade handbell class at Redeemer Classical School.
  Festival on Wexford Carol Traditional Irish Carol Wissinger, Kathleen 3-4
Review: "Festival on Wexford Carol" celebrates this compelling 12th-century Irish tune in a dignified setting featuring rhythmic mallets in the bass. Unaffected and straightforward, this exploration of intriguing rhythms at a stately tempo will mesmerize your audience - while also preparing your ringers for more challenging up-tempo pieces using 16th note duple and triple rhythm patterns.
  Friendship (Rejoice and Be Merry) Wissinger, Kathleen 2-7
Review: "Friendship" - a very special commission - celebrates the bond of friendship and the joy of ringing together. A cheeky melody showcases fun times in friendship while the middle section takes on a more somber tone. Three compatible scores (L1+, L2 and L3) can each stand alone, yet any two – or all three – may be played together in a festival or multi-level/-grade/-generational setting.
  God Rest Ye Merry Gentlemen Traditional Wissinger, Kathleen 3-7
Review: Fully-scored for your entire ringing ensemble, this holiday classic travels boldly through 3 key changes with the melody in different ranges – Level 3 for 3-5 (+opt. 6/7 bass) oct. A very few martellatos add some accents. Many options are offered to include a wide range of musicians to further liven up your holiday celebrations - mandolin/violin/easy bell tree (8 to 12+ bells)/or any C Instrument and/or piano.
  Griffin's Hornpipe 1 (Praise God's Name With Dancing) Wissinger, Kathleen 3 or 5
Review: This catchy original Celtic tune in ABCA form is easily learned and will brighten any concert, festival, or worship service (with the subtitle "Praise God’s Name with Dancing" based on Psalm 149:3). A great L2 teaching piece for form, eight notes, and beginning bell tree as well as for blank key signature modes (Dorian and Ionian).
  He Is Born French Carol Wissinger, Kathleen 3-5
Review: This lively Level 2+ French carol will delight ringers & listeners! Calm beginning & ending sections bracket a lively middle section where 8th note turns & runs in the bass are featured. Fun for all to ring - great for a concert or celebratory moment in worship.
  Highland Fanfare Wissinger, Kathleen 5
Review: This lively original Level 3+ piece evokes a brisk walk in the Celtic highlands. Spanning the full 5 octave range, Highland Fanfare features triplets in a sweeping melody, close chromatic movement and an unusual table damping technique used as a rhythmic element.
  Hyfrydol Prichard, Rowland Hugh Wissinger, Kathleen 2-3
Review: This beloved Welsh tune is accessibly arranged for Level 2 choirs using 15, 16 or 19 bells - yet is satisfyingly musical for more advanced groups. Two settings of “Hyfrydol” are included in the folio for flexible needs: “A” for 2 octaves G4-G6 with optional C4-F4 and “B” for 3 oct. (C5-C7) with optional G4-B4. A and B are not compatible with each other, being in different keys.
  I Love to Tell the Story - A Fischer, William G. Wissinger, Kathleen 2
Review: This gentle L2 rendition of the beloved hymn tune HANKEY features an easy optional Bell Tree obbligato, adding a soft sparkle to the rich chording and simple melody. Two non-compatible scores offer different range possibilities.

Score A is for 2 octaves with optional C5-C6 or C6-C7 Bell Tree.
  I Love to Tell the Story - B Fischer, William G. Wissinger, Kathleen 3 or 5
Review: This gentle L2 rendition of the beloved hymn tune HANKEY features an easy optional Bell Tree obbligato, adding a soft sparkle to the rich chording and simple melody. Two non-compatible scores offer different range possibilities.

Score B is for 3 or 5 octaves with optional B-flat3 and F5 to F6 Bell Tree.
  In the Hall of the Mountain King Grieg, Edvard Wissinger, Kathleen 3-5
Review: Enter the majestic mountain domain in this lively rendition of Edvard Grieg’s iconic “In the Hall of the Mountain King” from his Peer Gynt Suite (No. 1). True to the orchestral original, this piece starts out soft, dark and wary; then gains in confidence, volume and speed until it is almost frantic at the end.
  Jesus Walked That Lonesome Valley Traditional Spiritual Wissinger, Kathleen 3 or 5
Review: This compelling Lenten hymn takes its time setting the mood for a quiet moment in concert or worship with a calm 8th note pattern (opt. Bell Tree) and smooth rhythmic chords in the bass. An optional vocal part as well as signing the entire text enhances the message of this compelling hymn.
  Kingsfold English Wissinger, Kathleen 3 or 5
Review: Kingsfold is a well known traditional English tune from 1893 with over 100 texts associated with it, so it can be used year ‘round in liturgy. This setting would also be ideal as a lyric piece in a concert, school or festival setting.
  Kingsfold English Wissinger, Kathleen 2
Review: Kingsfold is a well known traditional English tune from 1893 with over 100 texts associated with it, so it can be used year ‘round in liturgy. This setting would also be ideal as a lyric piece in a concert, school or festival setting.
  La Mer (The Sea) Ciani, Suzanne Wissinger, Kathleen 5
Review: Suzanne Ciani's mesmerizing New Age piano solo is perfectly reinterpreted by LV arpeggios across 5 octaves of handbells with non-stop 8th notes and crashing chords depicting waves. Impressionistic and lush, "La Mer" draws ringer and listener alike into the pulsing power of the sea. Windchimes and suspended cymbal add to the drama.
  Let All Mortal Flesh Keep Silence French Carol Wissinger, Kathleen 2-5
Review: The reverence and awe of the Advent season is captured in this starkly simple rendition of “Let All Mortal Flesh Keep Silence” by Kathleen Wissinger. The two non-compatible L1+ scores (in different keys) in the folio are based on “Picardy,” a 16th century French carol. Singing bell and the unhurried demeanor of the piece summon a mystic quality that enhances worship, concert and festival.
  Love Love Love Brokering, Lois & Herb Wissinger, Kathleen 3-5
Review: “Love, Love, Love – That’s what it’s all about!” is joyfully proclaimed. One of the best-known songs by Herb and Lois Brokering, this cheery piece is arranged with special permission as part of a project series commissioned by Karen VanWert. (RE5816) Finally this iconic classic is arranged at Level 2+ for a 3-5 oct. handbell choir as a stand-alone performance piece! The three fully-scored verses can also accompany singing 3 verses; repeat the entire piece to include 3 more verses.
  Manger Lullaby Various Wissinger, Kathleen 3-6
Review: Three hymn tunes associated with the manger (Mueller, Greensleeves and Cradle Song) are exquisitely rendered in “A Manger Lullaby,” a medley for 3-5/6 octaves bells and optional 3-4 octaves of chimes by Kathleen Wissinger. Snippets of Brahm’s Lullaby enhance the cradle-side themes, and an optional Bell Tree adds sparkle throughout.
  Miracle Child 1 & 2 Wissinger, Kathleen 2-6
Review: This gentle new original Advent/Christmas carol, "Miracle Child" reverently examines the coming of the Christ Child from different points of view: prophets ("They told a fateful story: Innocence to Glory"), the angel, Mary, the shepherds, the Magi, and us.
  No Greater Love Wissinger, Kathleen 3-5
Review: The delicate, intricately-woven melodic line of "No Greater Love" will capture your listeners' hearts from the start.
  Norwegian Fantasy Grieg, Edward Wissinger, Kathleen 3-5
Review: “Norwegian Fantasy” blends two tunes that Edvard Grieg adapted for his own use in the early 1900’s: Springdans (Opus 17 – a collection of Norwegian folk tunes) and “Den Store Hvide Flok” (“Great White Host” – the hymn tune for “Behold, a Host, Arrayed in White”) from the 17th century. While not common tunes, they feel familiar and timeless – as many folk tunes do.
  Quest Wissinger, Kathleen 2-7
Review: Melodic minor scales are showcased throughout this perky original piece, along with rhythmic marts and optional chimes and tambourine. Two compatible editions are available, but not just the 'add-on some exterior notes' kind of 2-3 and 3-5 setting: these two scores place the slightly exotic Middle Eastern-type melody in different ranges to adjust for the bell-range limits.
  Rowan Tree Scottish Folk Tune Wissinger, Kathleen 2-5
Review: Dedicated to the composer's friend and mentor, Tim Waugh, "The Rowan Tree" is a heartfelt Scottish ballad (featured in the movie Living) that is perfect for a calm, uplifting moment in a concert or festival.
  Savior of the Nations Come Traditional Wissinger, Kathleen 3-5
Review: Mysterious and lush: 2 options in this flexible score allow anywhere from a single Bell Tree Soloist up to a full 5 octave choir using suspended mallet rolls to perform this brief but lovely piece for Advent and the Holidays. There is also an opt. chime duet Eb5-C7, 13 chimes.
  Semper Paratus (Always Ready) Van Boskerck, Captain Francis Saltus Wissinger, Kathleen 3-7
Review: Finally! The missing piece for Armed Service tributes and patriotic concerts: Semper Paratus (Always Ready) – the U.S. Coast Guard marching song. Skillfully arranged to honor this branch of the armed service, Semper Paratus features a fully orchestrated Level 3 score on 3-7 oct. handbells.
  Sing a Song of Pentecost (Spirit Dance) Various Wissinger, Kathleen 3-7
Review: Celebrating the life of Kipp Willnauer, this upbeat piece (commissioned by Area 8 HMA and Kipp's friends and family) is based on a hymn that Kipp once arranged. His score is the basis for the first section. Solid Level 2, 3-6 octave scoring throughout includes all ringers as each variation explores new rhythms and ranges for the melody.
  Sower, The Traditional Wissinger, Kathleen 3-5
Review: The parable of “The Sower” springs to life in this lively, original composition. Mallets and thumb damps set the tone for a light-hearted walk - scattering seeds along the way. The sower’s theme is airy and optimistic, telling the story of the journey.
  Stones Will Shout Wissinger, Kathleen 2-5
Review: This light-hearted excursion features thumb damps, grace notes, echoes and marts as two themes are introduced and then cleverly layered together. "The Stones Will Shout," based on Luke 19:20, personifies unique geological features called "Hoodoos" - eroded sedimentary rock outcrops in the desert southwest which uncannily resemble human figures (as seen on the folio cover).
  Through the Storm Wissinger, Kathleen 3-6
Review: A masterful and heart-felt tribute to the 32 victims and the survivors of the 2007 Virginia Tech shooting, “Through the Storm” personifies the range of emotions felt by all who experience great joy, immense loss and courageous hope.
  Veni Emmanuel Traditional Wissinger, Kathleen 3 or 5
Review: Advent is a time of awaiting magical promises. This simple and haunting rendition of "Veni Emmanuel" (O Come, O Come, Emmanuel; 15th century, France) perfectly embodies that special feeling of wonder as we await the coming of the Christ Child.
  Veni Emmanuel Traditional Wissinger, Kathleen 2, 3 or 5
Review:

Emmanuel (15th century, France), perfectly embodying that special feeling of wonder as we anticipate the coming of the Christ Child. Set in two ranges – for 2 octaves or 3/5 octaves – each version includes options for Bell Tree solo (G5-G6 or C6-C7) or a ringing soloist (or 2, 3 or 4 ringers) on a separate set of chimes (these are the easiest options for the 2 oct. version, as ringing parts for chimes and bells often cross voices.)
  Watchman Tell Us of the Night Parry, Joseph Wissinger, Kathleen 2-5
Review: Mysterious and majestic, this arrangement of the lovely Welsh tune (ABERYSTWYTH, Joseph Parry 1876) features a solo line question and an obbligato answer, then moves to a more fully scored section. An exceptionally versatile score, it is offered in 2 settings to adapt to the number of available ringers.
  We Are Done Madden, B. & Madden, J. & Valentine, Eric Wissinger, Kathleen 4-6
Review: The Madden Brothers’ pop rock hit “We Are Done” is deftly captured in this spirited rendition by Kathleen Wissinger. Driving rhythms and full harmonies make it ideal for high school and college groups as well as for community and advanced ensembles. This boisterous contemporary song speaks of yearning to be recognized and valued without judgement: “No, we won't just go back Home without you hearing The sound when the many say, 'We are done.'”
  Wellerman Traditional Wissinger, Kathleen 2, 3 or 5
Review: "Wellerman", a traditional New Zealand sea shanty (c. 1860), hit the internet by storm in early 2021 with Nathan Evans' TikTok collaboration. This jaunty arrangement includes some of the voicing heard in the now-famous recording. Two non-compatible scores are included in the folio: Score A is Level 2 for 2 octaves, and Score B (more complex) is Level 3 for 3 or 5 octaves.
  When We Gather Traditional Wissinger, Kathleen 3-6
Review: Calling God’s people to worship, “When We Gather” is based on Matthew 18:20 - “When two or three are gathered in my name, there am I with them.” Delicate at first, then soaring with a rise in key, the Level 3, 3-6 oct. handbell score can stand alone as a grand musical prelude in worship or a strong concert piece in its own right.
  Who Is This - A Southern Harmony Wissinger, Kathleen 2
Review: This little-known Southern Harmony gem enthralls with a unique form, minor mode and intriguing melody. These L3 arrangements explore three variations (verses) utilizing martellato statements and interesting harmonies. In addition to the traditional Lenten text associated with this tune, two insightful new hymn texts for Epiphany and Palm Sunday expand liturgical-use possibilities.

Two non-compatible Level 3 scores allow for different bell and vocal ranges. Score A is for 2 octaves with optional A6, F3-F4, and vocal solo or unison hymn.
  Who Is This - B Southern Harmony Wissinger, Kathleen 3-7
Review: This little-known Southern Harmony gem enthralls with a unique form, minor mode and intriguing melody. These L3 arrangements explore three variations (verses) utilizing martellato statements and interesting harmonies. In addition to the traditional Lenten text associated with this tune, two insightful new hymn texts for Epiphany and Palm Sunday expand liturgical-use possibilities.

Two non-compatible Level 3 scores allow for different bell and vocal ranges. Score B is for 3-7 octaves with optional vocal solo or unison hymn.
  Wichita Lineman Webb, Jimmy Wissinger, Kathleen 3-6
Review: Glen Campbell's iconic ballad, "Wichita Lineman," is faithfully and beautifully interpreted for handbells in this specially commissioned piece. Slow pop syncopations and lush chording based on Glen's original performance will entice your ringers and mesmerize your audience.
  Wind In Our Sails Wissinger, Kathleen 3 or 5
Review: Lift your face to the wind, hoist the sails and take an invigorating trip with “Wind in Our Sails,” an original “sea ballad” for 3 or 5 octaves bells or chimes, Level 2: Easy to learn yet powerful in scope. The lovely tune is introduced as a solo line with an optional bell tree or solo C instrument and builds in strength throughout the piece.
  Winter Scene Holst, Gustav Reese, Alan 4-6
Review: "A Winter Scene" is based on the Gustav Holst tune CRANHAM and Christina Rossetti’s poem “In the Bleak Midwinter" - beginning as an impressionistic and literal presentation of the poem's first stanza: yearning for the Savior to be born.