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| Abide With Me:
Monk, William H.,Geschke, Susan E.,HP |
| Susan Geschke’s gift for lyrical melody and lush harmonies adds a new freshness to this beloved hymn. |
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| Adagio:
Mozart, Wolfgang Amadeus,Wilson, Malcolm C.,HP |
| This adagio is the theme from the 2nd movement of Mozart’s concerto for clarinet and orchestra (K622), his last instrumental work completed before his death. |
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| Allegro Spiritoso:
Underwood, Greg,,AG |
| The 2006 AGEHR Area III Composition Contest Winner "Allegro Spiritoso" is dedicated to the Spirit Ringers of Spirit of Joy Lutheran Church, Weddington, North Carolina. |
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| All Glory Laud and Honor:
Traditional,Stephenson, Valerie W.,LC |
| Set in G major throughout, this favorite Palm Sunday hymn tune musically brings to life all of the spectacle and pageantry of Christ's ride through the streets of Jerusalem. |
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| Beneath the Cross of Jesus:
Shackley, Larry,Wagner, Douglas E.,LC |
| Contemporary harmonies mix with an endearing 19th-century hymn tune to create an exquisite background for worship and reflection. |
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| Day of Resurrection, The:
Helman, M.,,LC |
| Given a new, sturdy tune, this familiar Easter hymn text promises a glorious choral celebration for Easter Sunday. |
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| Easter Joy:
Various,Behnke, John A.,AG |
| Using EASTER HYMN and MIT FREUDEN ZART, here's a great piece for the Easter season. |
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| Easter Proclamation:
Various,Larson, Lloyd,LC |
| Beginning with a solid introductory fanfare, your congregation will then be led through three anticipated Easter hymn tunes, each woven in place with soaring lines and exultant supporting harmony. |
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| Festal Dance:
Waugh, Timothy,,CG |
| FESTAL DANCE is a spirited handbell composition which evokes a feel of the Renaissance with or without the auxillary instrumentation. Moving from a graceful movement with a triple feel into a stately duple section and then returning to elements of the opening section, ringers will enjoy the challenge of rhythm and musicality that this piece provides. Written in f minor, this piece is 84 measures. |
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| Festive Peal on Hymn to Joy:
Beethoven,Ryan, Michael,LC |
| Using all bells or chimes in the 2- or 3-octave set, Beethoven's sturdy tune is cast in G, C and A-flat major, with bell changes eased in comfortably before each new key. |
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| God Who Stretched the Spangled Heavens:
Walker, W.,Moklebust, Cathy,CG |
| This arrangement of the tune HOLY MANNA sets a cheerful mood through the use of a variety of techniques including martellato, martellato lift, thumb damping, and plucking. |
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| Hear the News This Easter Morn:
Raney, Joel,,HP |
| This Easter introit begins with a simple, round-like melody — easy for your children’s choir to learn — then blossoms into a triumphant choral celebration of the risen Lord. |
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| How Beautiful:
Paris, Twila,Larson, Lloyd,HP |
| Arranger Lloyd Larson has set this exquisite ballad by Twila Paris for SATB, SAB or 2-part mixed voicing with a 3-5 octave handbell accompaniment which may be used to accompany any of the choral versions or as a stand-alone handbell piece. |
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| How Can I Keep From Singing:
Lowry, Robert,Sherman, Arnold B.,RR |
| Truly a unique work, this piece features Robert Lowry's rhythmic hymn tune supported in part by a "singing bell" technique, which uses round sticks rubbed around the outer rim of the bell, for a truly ethereal sound. Full instructions for this technique plus a biography on Robert Lowry and the full lyrics for the hymn are included. |
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| How Firm a Foundation:
Traditional,Tucker, Sondra K.,HP |
| Sondra Tucker’s energetic version of this revered American folk hymn is played almost entirely with mallets, and includes a simple optional part for 7 handchimes adding a beautiful reinforcement to the melody. |
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| How Great Is Our God with How Great Thou Art:
Various,Bettcher, Peggy,HP |
| The theme of God's Greatness is captured in this 3-5 octave arrangement which blends the contemporary praise and worship song "How Great Is Our God" with Stuart Hine's classic hymn "How Great Thou Art". |
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| I Know That My Redeemer Lives:
Traditional,Dobrinski, Cynthia,HP |
| This versatile setting of the tune DUKE STREET by Cynthia Dobrinski features both the Easter text and the alternate text “Jesus Shall Reign” for general occasions and Christ the King Sunday. |
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| In Christ Alone:
Getty, Keith & Townsend, Stuart,Cota, Patricia,RP |
| This 4-5 octave arrangement of the popular contemporary hymn by Keith Getty and Stuart Townend was a commission for a festival in Kansas. |
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| In Christ Alone:
Townsend, Stuart & Getty, Keith,Eithun, Sandra,HP |
| Stuart Townend and Keith Getty's powerful new praise and worship song has been set for 3-5 octaves of handbells with optional handchimes. |
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| I've Got Peace Like a River:
Traditional,Lamb, Linda R.,CG |
| Water imagery is used in the lyrics of "I've Got Peace Like a River" to illustrate peace, love and joy. |
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| I Will Arise:
Traditional,Tucker, Sondra K.,CG |
| Martellatos and syncopated echo techniques create added excitement and rhythmic drive in this setting of the early American hymntune RESTORATION. |
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| I Will Lift Mine Eyes Unto the Hills:
Moklebust, Cathy,,CG |
| This calm, meditative original composition directly reflects the text of Psalm 121 in a lyrical style, with gentle, flowing rhythms and sweeping melodies. |
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| Joyful Reflections:
Dobrinski, Cynthia,,HP |
| This lyrical original from Cynthia Dobrinski sets a happy, peaceful mood. |
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| Just As I Am:
Bradbury, William B.,McChesney, Kevin,RW |
| William Bradbury's devotional hymn tune Woodworth goes through the gamut of emotions in this arrangement by Kevin McChesney. |
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| Lenten Contemplation:
Various,Moats, William E.,CG |
| The hymntunes SOUTHWELL, GETHSEMANE and HERZLIEBSTER JESU are included in this lovely medley of hymns associated with the Lenten season. |
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| Many and Great:
Plains Indian Melody (Dakota Hymn),Wissinger, Kathleen,CP |
| Kathleen Wissinger is a master at writing for and teaching beginning and "step-up" ringers. |
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| Morning Has Broken:
Gaelic Melody,Raney, Joel,HP |
| Joel Raney explores the world of handbells combined with synthesizer and percussion in this captivating setting of the well-known Gaelic melody. |
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| Prayer:
Warzyn, Jeanne C.,,AG |
| Entitled "Prayer," this beautiful, lyrical, original piece is accessible to every bell or chime choir and is perfect for church, concert or festival. |
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| Ride On!:
Winchester New, Ellacombe, Truro,Ryan, M.,LC |
| Set in a direct and uncluttered style, three instantly recognizable Palm Sunday tunes are united in a brilliantly conceived composition designed to set the stage for the drama played out during Christ's triumphal entry into Jerusalem. |
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| Ring Jubilee:
Geschke, Susan E.,,HP |
| Weaving together three delightful melodies, this original composition by Susan Geschke sparkles with energy and excitement. |
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| Rise and Shine:
Traditional,Robert, Dennis,CP |
| "Rise and shine and give God the glory, glory..." So go the lyrics to the traditional tune of this arrangement. |
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| Savior Like a Shepherd Lead Us:
Various,Tucker, Sondra K.,LC |
| Beloved hymn tunes of William Bradbury and Robert Lowry are woven into a seamless tapestry by cascading chords and gentle accompanying rhythms. |
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| Song of Gladness:
Sherman, Arnold,,RR |
| This original composition was commissioned for the 2004 Rogue Valley Handbell Festival in Medford, Oregon. Playable by 2, 3, 4, 5, or 6 octave choirs; this bright, energetic, 78-measure piece is great not only for combined choir festivals, but also to start your ringing season off with a flourish! |
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| Staccato Giocoso:
Moklebust, Cathy,,CG |
| As the title implies, this original composition is a lively, light-hearted piece filled with staccato techniques throughout, such as mallets, plucking, thumb-damping, and martellato. |
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| Standin' In the Need of Prayer:
African American Spiritual,Stephenson, Valerie W.,CG |
| The traditional spiritual is brought to life in this upbeat arrangement. The malleted sections are joyful and energetic, while the contrasting middle section is mournful and reflective. |
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| Sweet Music:
Traditional Spiritual,Schulz-Widmar,HP |
| “Sweet Music” is a hidden gem in the genre of African-American spirituals. This setting by Russell Schulz-Widmar, with the words “Go and tell everybody Jesus Christ is risen!” is a fitting selection for Eastertide. |
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| There Is a Fountain:
Early American Melody,Lamb, Linda R.,HP |
| From arranger Linda Lamb, here is a contemplative setting of the Early American hymn tune CLEANSING FOUNTAIN. |
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| This Is My Father's World:
Traditional,Eithun, Sandra,LC |
| Here's a very easy and refreshing triple-meter interpretation of a traditional English hymn tune, written especially with less experienced players in mind. |
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| Trust and Obey:
Towner, Daniel B.,Glasgow, Michael J.,RR |
| Michael Glasgow's setting of "Trust and Obey" for 2 to 5 octave handbells and optional keyboard is a refreshing and uplifting approach to a beloved hymn tune. 2-3 octave and 3-5 octave versions of the arrangement are provided in this score and may be played either separately or together. |
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| Wade In the Water:
African American Spiritual,Eithun, Sandra,LC |
| Rhythmically driven from beginning to end, bass bell ringers get their time to shine in this energetic treatment of a popular spiritual. |
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| When In Our Music God Is Glorified:
Traditional,Sherman, Arnold B.,HP |
| From Arnold Sherman, here is a versatile setting of one of the finest hymns from the 20th century. Fred Pratt Green's text and the tune Engelberg by Charles Stanford are arranged for 3-6 octave handbells, with optional 3-4 octave handchimes, organ (with optional trumpet) or brass. SATB choir can also be added. |
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