Perhaps one of the best loved of all church hymns has been given a sweet, simple setting in this arrangement. The work begins as a quiet, delicate duet between the upper two parts. Following this section are two more, the second utilizing off-center rhythms while the third introduces a close, simple walking bass. Quite possibly, it could also be played by a 3 octave choir as an easy piece. Written in F Major, it has 52 measures.