Featuring a malleted bass ostinato, the upper bells resound an almost alleluia-like refrain above, featuring TDs, marts, and RTs. The contrasting middle section answers with an energetic "tolling" pattern. Though there are few bell changes, the rhythmic diversity makes this an excellent piece for any group seeking a challenge. It is sure to be a favorite with congregation and ensemble alike. Written in F Major, it is 62 measures.